Walker Evans Revisited, curated by David Campany, is now the Museum Helmond Helmond, October 3, 2022 – March 3, 2023
First presented as part of of the Biennale für aktuelle Fotografie – The Lives and Loves of Images, 2020, curated by David Campany.
Of all the celebrated photographers of the last century, the one who is most relevant today, and the one with the widest influence, is Walker Evans (1903 – 1975). Some of his images are among the best known in the history of the medium. Direct and generous, analytical, yet lyrical, carefully composed, but unforced, the ways in which he photographed left the door open for countless others to follow.
He was also concerned with the idea that photographic meaning is related to context, text and relations between images, whether on the gallery wall or on the pages of books and magazines. To be in control of one’s photographs means being in control of how they are presented and circulated in the world. So, as well as being a remarkable image maker, Evans was also an editor, writer and designer.
Walker Evans Revisited brings together two kinds of response from contemporary artists and photographers. Firstly, there is the continuation and extension of Evans’ ways of photographing everyday life. Secondly, the exhibition presents a variety of projects by artists responding very directly to particular images and projects by Evans. These range from appropriation and collage, to re-imaginings and homage.
With works by: Julia Curtin, Walker Evans, Camille Fallet, George Georgiou, Darren Harvey-Regan, Lisa Kereszi, Justine Kurland, Sherrie Levine, Ute Mahler & Werner Mahler, Michael Mandiberg, James Nares, Jessica Potter, Patrick Pound, RaMell Ross, Mark Ruwedel, Anastasia Samoylova, Bryan Schutmaat, Stephen Shore, Vanessa Winship
Posted on 17 December 2022